Letters To God

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  • Tuning - C#G#C#F#A#D# (Drop your low E string to D, and then tune down half a step)
     
    F#----------------------------
  • C#----------------------------
    G#----------5h6--6---6-6-6----
    C#----5-5-x-------------------
  •  
    F#-----------------------------------
    C#-----------------------------------
  • G#---------5h6--8--6-5h6-5h6-3h5-----
    C#----5-5-x--------------------------
    (I think the last part is close. Hector plays it to fast...)
  •  
    The guitar sounds a lot more difficult than it is at this part, mainly because you don't hear blue-sy sounding stuff in rock anymore, which sucks if ya ask me. You can re-arrange it to make it look a little more difficult (Moving to different strings and such) but this is the easiest way to do it.
     
  • The guitar enters with feedback by playing an open F near the cabs, then this part comes in when Max starts singing.
     
    F#---0h7h8p7p0---7h8-7--x-x-x-x
  • C#----------------------x-x-x-x
    G#----------------------x-x-x-x
     
  •  
    F#---0h7h8p7p0---7h8-10b11r10-----x-x-x-x
    C#--------------------------------x-x-x-x
  • G#--------------------------------x-x-x-x
     
    F#---0h7h8p7p0---7h8--0h7h8-7--x-x-x-x
  • C#-----------------------------x-x-x-x
    G#-----------------------------x-x-x-x
     
  • F#---0h7h8p7p0---7h8-10b11r10-----x-x-x-x
    C#--------------------------------x-x-x-x
    G#--------------------------------x-x-x-x
  •  
    (B= bend, R= retract, incase I got the tab symbols messed up)
     
  • Chorus
     
    F#----7--8--7--------------------
  • C#----x--x--x-------1-xx-1-x-xx-1
    G#----5--6--5-------1-xx-1-x-xx-1
    C#------------------1-xx-1-x-xx-1
  •  
    F#----7--5--8--------------------
    C#----x--x--x-------1-xx-1-x-xx-1
  • G#----5--3--6-------1-xx-1-x-xx-1
    C#------------------1-xx-1-x-xx-1
     
  • F#----7--8--7--------------------
    C#----x--x--x-------1-xx-1-x-xx-1
    G#----5--6--5-------1-xx-1-x-xx-1
  • C#------------------1-xx-1-x-xx-1
     
    *F#----7--5--8--------------------
  • *C#----x--x--x-------1-xx-1-x-xx-1
    *G#----5--3--6-------1-xx-1-x-xx-1
    *C#------------------1-xx-1-x-xx-1
  •  
    *Note: Album version differs for the last slide. Play this:
     
  • F#----7--5\12--------------------
    C#----x--x--x-------1-xx-1-x-xx-1
    G#----5--3\10-------1-xx-1-x-xx-1
  • C#------------------1-xx-1-x-xx-1
     
    After the chorus, do this again:
  • F#---0h7h8p7p0---7h8-7--x-x-x-x
    C#----------------------x-x-x-x
    G#----------------------x-x-x-x
  •  
     
    F#---0h7h8p7p0---7h8-10b11r10-----x-x-x-x
  • C#--------------------------------x-x-x-x
    G#--------------------------------x-x-x-x
     
  • F#---0h7h8p7p0---7h8--0h7h8-7--x-x-x-x
    C#-----------------------------x-x-x-x
    G#-----------------------------x-x-x-x
  •  
    F#---0h7h8p7p0---7h8-10b11r10-----x-x-x-x
    C#--------------------------------x-x-x-x
  • G#--------------------------------x-x-x-x
     
    Chorus 2
  •  
    F#----7--8--7--------------------
    C#----x--x--x-------1-xx-1-x-xx-1
  • G#----5--6--5-------1-xx-1-x-xx-1
    C#------------------1-xx-1-x-xx-1
     
  • F#----7--5--8--------------------
    C#----x--x--x-------1-xx-1-x-xx-1
    G#----5--3--6-------1-xx-1-x-xx-1
  • C#------------------1-xx-1-x-xx-1
     
    F#----7--8--7--------------------
  • C#----x--x--x-------1-xx-1-x-xx-1
    G#----5--6--5-------1-xx-1-x-xx-1
    C#------------------1-xx-1-x-xx-1
  •  
    F#----7--5--8--------------------
    C#----x--x--x-------1-xx-1-x-xx-1--0
  • G#----5--3--6-------1-xx-1-x-xx-1--0
    C#------------------1-xx-1-x-xx-1--0
     
  • Album Version:
     
    F#----7--5\12--------------------
  • C#----x--x--x-------1-xx-1-x-xx-1--0
    G#----5--3\10-------1-xx-1-x-xx-1--0
    C#------------------1-xx-1-x-xx-1--0
  •  
    Bridge
    It sounds like when the drum is hit 4 times, this is played:
  •  
    C#--x-x-x-x
    G#--x-x-x-x
  • C#--x-x-x-x
     
    After that, this starts:
  • Palm mute this and let up on the mute as you go
     
    C#-----------------------------------
  • G#---3h4--3h4--3h4--3h4--5p4p3--5p4p3
    C#-----------------------------------
     
  • Do this a couple times. The bass should join you around the 4th time.
     
    C#---10h11--10h11--10h11--10h11--12p11p10
  • G#---10h11--10h11--10h11--10h11--12p11p10
    C#---10h11--10h11--10h11--10h11--12p11p10
     
  •  
    After the "Pissed off" part, go back to the chorus
     
  • F#----7--8--7--------------------
    C#----x--x--x-------1-xx-1-x-xx-1
    G#----5--6--5-------1-xx-1-x-xx-1
  • C#------------------1-xx-1-x-xx-1
     
    F#----7--5--8--------------------
  • C#----x--x--x-------1-xx-1-x-xx-1
    G#----5--3--6-------1-xx-1-x-xx-1
    C#------------------1-xx-1-x-xx-1
  •  
    F#----7--8--7--------------------
    C#----x--x--x-------1-xx-1-x-xx-1
  • G#----5--6--5-------1-xx-1-x-xx-1
    C#------------------1-xx-1-x-xx-1
     
  • F#----7--5--8--------------------
    C#----x--x--x-------1-xx-1-x-xx-1
    G#----5--3--6-------1-xx-1-x-xx-1
  • C#------------------1-xx-1-x-xx-1
    (this is played 8 times instead of the usual 4)
    The studio version changes up the palm muting a bit. Listen to it to get ir right.
  •  
    And then the bridge:
    C#---10h11--10h11--10h11--10h11--12p11p10
  • G#---10h11--10h11--10h11--10h11--12p11p10
    C#---10h11--10h11--10h11--10h11--12p11p10
    (4 times I believe)
  •  
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Letters To God
40 BELOW SUMMER
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