Tablaturas guitarra
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- Tuning:StandardIntro
- Drag pick upwards on these chords: twice throughe|--x-----x-----x-----7---------|B|--5-----8-----7-----5---------|
- G|--6-----6-----6-----6---------|D|--7-----7-----7-----7---------|A|--0-----0-----0-----0---------|
- E|------------------------------|Let A string ring throughout, and mute unused strings.
- $$$ $$$e|-------------------------------------------------------------|
- B|-10---12--12/14---14---12--12/14-12--------------------------|G|-------------------------------------11--9/10----------------|D|-7----9---9-/11---11---9---9/-11-9---9---6/7-----------------|
- A|-0----0---0--0----0----0---0--0--0---0---0-------------------|E|-------------------------------------------------------------|
- e|-------------------------------------------------------------------|B|-10---12--12/14---14----14h15p14----12h14p12---10/12--10-----7-----|G|------------------------------------11-----------------------7-----|
- D|-7----9---9-/11---11----11----------x----------7-/9---7------7-----|A|-0----0---0--0----0----------------------------0-/---------0-------|E|-------------------------------------------------------------------|
- e|---0--0-----0----\---0------------------------------0--------------|B|---0--0-----0----\---0------------------------------2--------------|
- G|---6--6-----6----\---1------------------------------2--------------|D|---7--7-----7----\---2------------------------------2--------------|A|-0----------7----\---2-------------4---7----4----0-----------------|
- E|----------0----------0--------3/5----------------------------------|VERSES
- Notes: The Chord progression is A Bm7 C#m7 . Throughout the verses and the chorus,there are gaps to fill, do little licks to fill the space and look super cool. I havent
- out all of Jeff's little licks because half the fun is improvising them. Also, with theuse different positions and inversions to set up different licks. Here are some examples:
- Chords and fills for A:(finger A w/ your index barring, and use your pinky and ring finger for the
- allowing the chord to continue ringing)e|--------------------------|--5---5h7p5-------------------|---0----|B|-2---2h3p2----------------|--5---------5h7p5-------------|---5----|
- G|-2----------2h4p2---------|--6----------------6h7p6------|---6----|D|-2-----------------2h4p2--|--7---------------------------|---7----|A|-0------------------------|--0---------------------------|---0----|
- E|--------------------------|------------------------------|--------|(cut the chord from ringing and pick the notes, while hitting other muted strings with
- pick for a slightly funkier sound)e|-----------------------------------------|B|-2---------------------------------------|
- G|-2---------2--4--2-----------------------|D|-2----2/4-----------4---2----------------|A|-0---(0)---------------------------------|
- E|-----------------------------------------|Some ideas for Bm7
- (let the chord ring and use your ring finger for the hammer-ons-and-pull-offs)e|--2----------------------------------|-2-------------------------|
- B|--3----------------------------------|-3--3h5p3------------------|G|--2---2h4p2--------------------------|-2--------2h4p2------------|D|--4----------2-h-4--4-p-2------------|-4-------------2h4p2-------|
- A|--2------------------------2-/-4--4--|-2--------------------2/4--|E|-------------------------------------|---------------------------|
- Or these:(for these, hit some extra strings or strum the whole chord throughout when you do theons, for an extra chunky feel)
- e|-----7------------------------------|B|-----7------------------------------|
- G|-----7----7--9----------------------|D|-----7----------9---7---------------|A|-----9----------------7--9--7-------|
- E|-----7------------------------------|
- e|----2---2---2-------------------------------------|B|----3---3---3-------------------------------------|G|----2---4---4-------------------------------------|
- D|----4---4---2-------------------------------------|A|----2---2---2-------------------------------------|E|--------------------------------------------------|
- And for C#m7, use the same licks as for the Bm7, just the chord shapes are shifted upfrets. To End each chord progression, i ussualy use an octave part, shown below, to go
- to the starting A chord. Like this:A Bm7
- They say everything can be replacedC#m7
- That every distance....e|-----------------------------------------------------------------|B|------------------------------------------------------------2----|
- G|------------------------------------------7------9-----\----2----|D|------------------------------------------------------------2----|A|------------------------------------------5------7------\---0----|
- E|-----------------------------------------------------------------|is not near.....
- CHORUSSame chord progression as the verses, but with a different ending and some other
- as follows: (note:the first chorus has a different entrance than the other ones. Insteadthechord, it uses the octave part from the intro (which is sandwiched between the $$$ signs
- the intro tab part above) then goes to the Bm7 chord and continues normally)e|0-------------------------7---------/9------------------------|
- B|5-------------------------7---------/9------------------------|G|6-------------------------7---------/9------------------------|D|7-------------------------7---------/9------------------------|
- A|0-------------------------9---------/11-----------------------|E|--------------------------7---------/9------------------------|I see my light come shining down
- e|------------------x----x--------0-----------------------|
- B|------------------x----x--------2-----------------------|G|-----------------11---13---\----2-----------------------|D|-----------------12---14---\----2-----------------------|
- A|------------------x----x--------0-----------------------|E|-----------------10---12---\----------------------------|From the west into the east
- e|--0--------------2------------4----------------------------------|
- B|--2--------------3------------5----7---5----3----2/3---3---2-----|G|--2--------------2------------4----7---6----4----3/4---4---2-----|D|--2--------------4------------6----x---x----x----x/x---x---x-----|
- A|--0--------------2------------4----5---4----2----1/2---2---0-----|E|-----------------------------------------------------------------|.......Any day now, any way now, I shall be release..........ed.
- FIRST BRIDGEAfter the first chorus, there is a mini bridge part before the second verse begins. This
- not be the perfect tab of it, but it's damn close. Suggestions/comments are of course welcomed.Notes:
- % strum some muted strings along with the actual notes& Hold the bar shape and finger notes with ring finger, letting all the notes sustainring)
- % &e|------5---5---5----------------------------7----------------------|
- B|------5---5---5----------------------------7----------------------|G|------6---6---6----------------------------7-----9--7-------------|D|------7---7---7----------------------------7----------9--7--------|
- A|------7---7---7---------5--7--5------------9----------------9--7--|E|----5-----------5x--5/7----------7--5--5/7------------------------|
- (bar 9th fret w/ index finger)e|---------------------------------------------------0--|
- B|--------------9---9h10p9---------------------------0--|G|--------------9----------9h11p9-----------11--9-------|D|----------9---------------------9h11p9----12--11------|
- A|------------------------------------------0---0-------|E|--7/---9----------------------------------------------|
- SECOND BRIDGEAfter the second verse, there is another, less complicated bridge going into the third
- final verse. I am ashamed to admitt, I wasn't too taken with it. By which I mean it'sbut instead of learning it, I just made up my own thing, which is below. Sorry! It's nothard though if you want to learn it yourself, the chord shapes in this tab are a great
- to start.1+2+.3..+..4+ 1+2+3+.4+.....1.+.2+3+4+1e|-14------0----------------0--------0-0----0--0---|
- B|-14------0-----------9----0--------3/5----3--2---|G|-14------11----------9----6--------2/4----2--2---|D|-14------12----------9----7--------4/6----4--2---|
- A|-0-------0-----------0----0--------0-0-------0---|E|-------------------------------------------------|
- ...1..+.2+3+.4.+.....1 3+..4+ 1.+.2+3+4+1e|-0-------0---0-----0-------0---0--------0-0----0------------|B|-0-------12--10----0-------10--9--------3/5----3--2---------|
- G|-10\9----9---9-----7-------9---9--------2/4----2--2---------|D|-12\11---11--11----9-------7---7--------4/6----4--2---------|A|-0-------0---0-----0-------0---0--------0-0----0--0---------|
- E|------------------------------------------------------------|Lyrics:
- They say everything can be replacedYet every distance is not near
- So i remember every faceOf every man who put me here
- I see my light come shiningFrom the west unto the eastAny day now, any day now
- I shall be releasedThey say every man needs protection
- They say every man must fallYet i swear i see my reflectionSome place so high above this wall
- Standing next to me in this lonely crowd,
- Is a man who swears he's not to blame.All day long I hear him shout so loudCrying out that he was framed
- I see my light come shiningFrom the west unto the east
- Any day now, any day nowI shall be released.
- también juega ..
Tablaturas guitarra de BUCKLEY JEFF I Shall Be Released Skitarrate para reproducir tu mùsica, estudiar escalas, posiciones para la guitarra, buscar, gestionar, solicitar y enviar acordes, letras y partituras
I Shall Be Released
