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- Line numbers at far left; string tuning shown for all stringsh = harmonic s = stringslap (generic punishment, no precisionH = hammer-on S = bodysmack /necessary:just get that bass])
- p = pulloff to = upslider = righthand Tuning from standard: tune the low E down twol = lefthand frets to a D and the B string up one fret to
- ro= rightover a C. That's all:)lo= leftover) I N T R O (
- E---12h----12-->--14--14--14-->--15--15--15-------12h--12-->--|C---12h-------------------7h----------------------12h---------|0G---12h-------------------7h----------------------12h---------|
- 1D---12h-------------------7h----------------------12h---------|A---12h-------------------7h------------------s0--------------|D----0--------------------0-------------------s0--------------|
- E-(>)-14--14--14--14--14--p--10--12--12--p--10--p--8--p--7----|C-------------7h----------------------------------------------|
- 0G-------------7h----------------------------------------------|2D-------------7h----------------------------------------------|A-------------7h----------------------------------------------|
- D-------------0-----------------------------------------------|E--8--p--7--p--0--H2->-3--p--2--2--H3--p--2--p--0-------------|
- C--------------0----------------3h-----------------H2->-3--14--|C--p--0------------------------------------------4h-----------|0G--------H2->-4--4--4---4h-----------|
- D------------------------------------------------0------------|E-p-7-H9--9--p-7-p-5--14-14--p-12-H14->-15--15----------------|
- C---------7h-------------12h----------------7h----------------|0G---------7h-------------12h----------------7h---*breath]*----|5D---------7h-------------12h----------------7h----------------|
- A---------7h-------------12h----------------7h----------------|D-------------------------0-----------------------------------|
- E------12h---------------7h-------------------------5h---------|C------12h---------------7h-------------------------5h---------|0G------12h---------------7h-------------------------5h---------|
- 6D------12h-loH10---p-12h--0--0--5--5--5------|D-(p)0---0---:----------------lo3->-p-12h--0--0--5--5--5------|
- roughly repeat the above (more or less) about three times, after which:E---------------------3---------------------------------------|
- C---------------------3---again, several strums upon this-----|0G---------------------3---chord, as what whim moves you,------|8D-lo3--3--3->-10-p-0--1---and then a repeat of line 06, only--|
- A-lo3--3--3->-10-p-0--1---with an extra 12h arpeggio before --|D-lo3--3--3->-10-p-0--1---the 7h and 5h ones. Listen....------|
- ...and after THAT....about three more times of line 07, thenanother of line eight, at which point it takes off from the:
- E--3-.--5--.--7--.--8--.--7--.--5--.--7--.--8--.--8--The dots-|
- C--3-.--5--.--7--.--8--.--7--.--5--.--7--.--8--.--8--are for--|0G--3-.--5--.--7--.--8--.--7--.--5--.--7--.--8--.--8--missing--|9D--1-.--3--.--5--.--6--.--5--.--3--.--5--.--6--.--8--strums.--|
- A--1-.--3--.--5--.--6--.--5--.--3--.--5--.--6--.--8--Ympro=---|D--1-.--3--.--5--.--6--.--5--.--3--.--5--.--6--.--8--vyze]]---|
- After all this, one starts the mad bury-steel-splinters-in-yo-thumb slide parts, thusly:
- E-----------0---------0---------0--------3-----5--------------|C-----------0---------0---------0--------3-----5--------------|1G-----------0---------0---------0--------3-----5--------------|
- 0D--lo3-->--10--3-->--10--3-->--10--p--0--1-->--3--------------|A--lo3-->--10--3-->--10--3-->--10--p--0--1-->--3--------------|D--lo3-->--10--3-->--10--3-->--10--p--0--1-->--3--------------|
- This also repeats about three times, then follows another line 09,then another set of these, and then...oh, eventually a crash'n'burn
- variation on line 06 with lots of offkey harmonics, screeching to ahalt with a ferocious hammer-on over the neck with the left handon a 333000 chord, after which collapse from oxygen depletion is in
- order, and makes a touching finale.* * * * ** * * ** ** *So...let's see where I can further confuse the issue....
- Line 03: the 3h is an octave up from the 7h and sounds wonderful,if it can be coaxed into being. All those initial harmonic chordsare nice slightly arpeggiated, although just a fist-impact (*POW]*)
- will do as well.Line 05: the X7h7h7h7h15 is indeed a bit of a stretch, so Ioften use the other harmonic node (don't ask at which fret, my
- hyperoctaves aren't too great) which involves a flamenco-styleright-handed strum with the heel of the thumb brushing thestrings at the requisite fret to get the harmonic. It's about
- fret 18 or 20 or something; two before the hole on my machine.Line 06: the harmonics can also be arpeggiated; he does themboth ways, since that line more or less crops up more than once.
- Line 07: He accompanies the slap against the body with ashort strum, or something. It comes out slightly different whenI play it; too much intuition fluxing it up, I guess. He frets the
- slide from lo3 to pulloff to the 12h (or whatever sounds good; Ido it a bit differently, and this may not be exact...prob'ly ain't)with his left index finger over the neck, then hits the 555555
- from under the neck as a regular chord.Line 08: The lo3's (and following slides later on) are frettedover the neck with the left thumb. Most of the overneck hammer-ons
- are pinch-hit with the left index and thumb.Line 10: All the 333000's preceeding a slide to 10's are frettedover the neck with the left thumb. Get ready for the smoke to fly;
- I still can't play this fast enough. I think he must oil his strings:)
- también juega ..
Tablaturas guitarra de HEDGES MICHAEL Silent Anticipations (2) Skitarrate para reproducir tu mùsica, estudiar escalas, posiciones para la guitarra, buscar, gestionar, solicitar y enviar acordes, letras y partituras
Silent Anticipations (2)
