Minstrel In The Gallery

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  • capo 2nd fret
    all chords relative to capo
    / = down strum
  • \ = up strum
    o = all strings open (if preceding Dsus2, then strings 1-4 open,
    if preceding A, then strings 1-5 open, if preceding G, then 1-6
  • open)
     
    note: The last line "the friends he'd made" is a typical Andersonian
  • chord-morph. You should play with the fingering until you find
    a combination which moves the fewest fingers at one time. Anderson
    likes to keep one finger planted and change the chords around it. In
  • this case, I think he does the following. He plants the 3rd finger of
    the left hand as he changes from Dm to A7sus4. Am to C, he plants the
    1st finger. C to Cadd9 he lifts the 3rd and places 2nd on the 6th
  • string, keeping the 1st and 4th fingers planted.
     
     
  • A Asus4 Am A7sus4 C Cadd9/F# Dsus2 Dsus4 Dm
    -|--0-----0-----0-----0-----0-----0--------0-----3-----1-
    -|--2-----3-----1-----3-----1-----1--------3-----3-----3-
  • -|--2-----2-----2-----0-----0-----0--------2-----2-----2-
    -|--2-----2-----2-----2-----2-----0--------0-----0-----0-
    -|--0-----0-----0-----0-----3-----3----------------------
  • -|--------------------------3-----2----------------------
     
    F G o-Dsus2 o-A o-G
  • -|--1-----3--------0--0-----0--0-----0--3----------------
    -|--1-----3--------0--3-----0--2-----0--3----------------
    -|--2-----0--------0--2-----0--2-----0--0----------------
  • -|--3-----0--------0--0-----0--2-----0--0----------------
    -|--3-----2-----------------0--0-----0--2----------------
    -|--1-----3--------------------------0--3----------------
  •  
    / / / / \
    A Am C o Dsus2
  • The minstrel in the gallery
    / / / \
    A Dsus2 o A
  • looked down upon the smiling faces.
    / / / / / \
    F C F F o G
  • He met the gazes - observed the spaces
    / / /\ / \
    Dsus2 o A
  • between the old men's cackle.
    / / / / / \
    A Am C o Dsus2
  • He brewed a song of love and hatred -
    / /\/ /\/ /\/
    G
  • / / / \
    G Dsus2 o A
    oblique suggestions and he waited.
  • F C F G C
    He polarized the pumpkin eaters -
    F C F G C
  • static-humming panel-beaters -
    F C F G C
    freshly day-glow'd factory cheaters
  • F C F G C
    (salaried and collar-scrubbing).
    A Am C o Dsus2
  • He titillated men-of-action -
    F C F F o G
    belly warming, hands still rubbing
  • G Dsus2 o A
    on the parts they never mention.
    A Am C o Dsus2 G
  • He pacified the nappy-suffering,
    G Dsus2 Dsus4 o A
    infant-bleating one-line jokers -
  • F C F G C
    T.V. documentary makers
    F C F G C
  • (overfed and undertakers).
    A Am C o Dsus2
    Sunday paper backgammon players -
  • F C F C
    family-scarred and women-haters.
    F C F G C
  • Then he called the band down to the the stage
    F C
    and he looked at all
  • Dm A7sus4 Am C Cadd9/F# F
    the friends he'd made.
    (tr.) (tr.)
  • A Asus4
     
    eof
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Minstrel In The Gallery
JETHRO TULL
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