Gtr I (D A D G B E) - 'Guitar'
Gtr II (D A D G B E) - 'Synth'
Gtr III (D A D G B E) - 'Synth II'
Gtr IV (D A D G B E) - 'Guitar Pan Right'
Intro
Cybergrind Q=161
D5
4/4
Gtr II
|-3-| |-3-|
S E. Q Q Q Q S E. Q Q Q Q
|--------------------|--------------------|
|--------------------|--------------------|
|-5-5----7-----8-7-5-|-5-5----7-----8-7-5-|
|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
|
| Gtr I
| |-3-| |-3-|
| S S E S S E q q q S S E S S E q q q
|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0-|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0-|
|-3-| |-3-|
S E. Q Q Q Q S E. Q Q Q Q
|--------------------|---------------------|
|--------------------|---------------------|
|-5-5----7-----8-7-5-|-5-5----7-----8-7-5--|
|--------------------|---------------------|
|--------------------|---------------------|
|--------------------|---------------------|
|
| |-3-| |-3-|
| S S E S S E q q q S S E S S E q q q
|--------------------|---------------------|
|--------------------|---------------------|
|--------------------|---------------------|
|--------------------|---------------------|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0--|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0--|
Yarrgh
D5
4/4
|-3-| |-3-|
S E. Q Q Q Q S E. Q Q Q Q
|--------------------|--------------------|
|--------------------|--------------------|
|-5-5----7-----8-7-5-|-5-5----7-----8-7-5-|
|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
|
| |-3-| |-3-|
| S S E S S E q q q S S E S S E q q q
|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0-|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0-|
|-3-| |-3-|
S E. Q Q Q Q S E. Q Q Q Q
|--------------------|---------------------|
|--------------------|---------------------|
|-5-5----7-----8-7-5-|-5-5----7-----8-7-5--|
|--------------------|---------------------|
|--------------------|---------------------|
|--------------------|---------------------|
|
| |-3-| |-3-|
| S S E S S E q q q S S E S S E q q q
|--------------------|---------------------|
|--------------------|---------------------|
|--------------------|---------------------|
|--------------------|---------------------|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0--|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0--|
Noise
Gtr IV
PM--------| PM--------|
W W E E E E E E E E E E E E E E E E
|----------|----------|-----------------|-----------------|
|----------|----------|-----------------|-----------------|
|----------|----------|-----------------|-----------------|
|----------|----------|-0-0-------------|-0-0-------------|
|----------|----------|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|
|----------|----------|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|
Sample
N.C.
Wx12
|---------|
|---------|
|---------|
|---------|
|---------|
|---------|
Raaarggh
Q=70
D5
Gtr II
e E e E e S e S e e E e E e S e S e
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-5-----7-----8---7---5-|-5-----7-----8---7---5-|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|
| Gtr I
| PM---------------------------------------------
| S S E S S E e s e s e S S E S S E e s e s e
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-0-0---0-0---0---0---0-|-0-0---0-0---0---0---0-|
|-0-0---0-0---0---0---0-|-0-0---0-0---0---0---0-|
e E e E e S e S e e E e E e S e S e
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-5-----7-----8---7---5-|-5-----7-----8---7---5-|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|
|---------------------------------------------|
| S S E S S E e s e s e S S E S S E e s e s e
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-0-0---0-0---0---0---0-|-0-0---0-0---0---0---0-|
|-0-0---0-0---0---0---0-|-0-0---0-0---0---0---0-|
Outro
D5
Gtr III
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-|
|---------------------------------|---------------------------------|
|
| Gtr II
| e E e E e S e S e e E e E e S e S e
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|-5-------7-------8-----7-----5---|-5-------7-------8-----7-----5---|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|
| Gtr I
| PM-----------------------------------------------------------------
| S S E S S E e s e s e S S E S S E e s e s e
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|-0-0-----0-0-----0-----0-----0---|-0-0-----0-0-----0-----0-----0---|
|-0-0-----0-0-----0-----0-----0---|-0-0-----0-0-----0-----0-----0---|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3----*|
|---------------------------------|------------------------------------*|
|
| e E e E e S e S e e E e E e S e S e
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|-5-------7-------8-----7-----5---|-5-------7-------8-----7-----5------*|
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|
|---------------------------------------------------------------|
| S S E S S E e s e s e S S E S S E e s e s e
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|-0-0-----0-0-----0-----0-----0---|-0-0-----0-0-----0-----0-----0------*|
|-0-0-----0-0-----0-----0-----0---|-0-0-----0-0-----0-----0-----0------*|
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
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