Gtr I (D A D G B E) - 'Dist. Gtr'
Gtr II (D A D G B E) - 'Synth'
Urrrrrr
Cybergrind Q=155
D5
4/4
Gtr I
PM--------------------------------| PM----|
S S E S S E S S E S S E E S E S E E S S S S E
||--------------------------|-----------------------|
||o-------------------------|-----------------------|
||--------------------------|-----------------------|
||--------------------------|-----------------------|
||o-0-0---0-0---0-0---0-0---|-0---0---0---0-0-0-0---|
||--0-0---0-0---0-0---0-0---|-0---0---0---0-0-0-0---|
PM--------------------------------| PM----|
S S E S S E S S E S S E E S E S E E S S S S E
|-------------------------|---------------------------||
|-------------------------|--------------------------o||
|-------------------------|---------------------------||
|-------------------------|---------------------------||
|-0-0---0-0---0-0---0-0---|-0---0---0---0-0-0-0------o||
|-0-0---0-0---0-0---0-0---|-0---0---0---0-0-0-0-------||
Synth Bridge
N.C.
Gtr II
e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e Q
|-----------------|-----------------|-----------------|----------------|
|-----------------|-----------------|-----------------|----------------|
|-----------------|-----------------|-----------------|----------------|
|-----------------|-----------------|-----------------|----------------|
|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3----|
|-----------------|-----------------|-----------------|----------------|
Yaaargh yarrgh
D5F5E5D5E5D5E5F5 D5F5E5D5E5D5E5F5 D5F5E5D5E5D5E5F5 D5F5E5D5E5
Gtr I
PM--------------------------------------------------------------|
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E Q
||------------------|-----------------|-----------------|------------------||
||o-----------------|-----------------|-----------------|-----------------o||
||------------------|-----------------|-----------------|------------------||
||------------------|-----------------|-----------------|------------------||
||o-0-3-2-0-2-0-2-3-|-0-3-2-0-2-0-2-3-|-0-3-2-0-2-0-2-3-|-0-3-2-0-2-2-----o||
||--0-3-2-0-2-0-2-3-|-0-3-2-0-2-0-2-3-|-0-3-2-0-2-0-2-3-|-0-3-2-0-2-2------||
Slow Down
Q=110
D5F5E5D5E5D5E5F5 D5F5E5D5E5D5E5
PM-----------------------------------
|-3-|
E E E E E E E E E E E E E E E E E
||------------------|-------------------|
||o-----------------|-------------------|
||------------------|-------------------|
||------------------|-------------------|
||o-0-3-2-0-2-0-2-3-|-0-3-2-0-2-0-2-2-2-|
||--0-3-2-0-2-0-2-3-|-0-3-2-0-2-0-2-2-2-|
D5F5E5D5E5D5E5F5 D5F5E5D5E5D5E5
-----------------------------------|
|-3-|
E E E E E E E E E E E E E E E E E
|-----------------|---------------------||
|-----------------|--------------------o||
|-----------------|---------------------||
|-----------------|---------------------||
|-0-3-2-0-2-0-2-3-|-0-3-2-0-2-0-2-2-2--o||
|-0-3-2-0-2-0-2-3-|-0-3-2-0-2-0-2-2-2---||
Sample
Q=155
D5
PM
E H.. W W W
|-------------|----------|----------|------|
|-------------|----------|----------|------|
|-------------|----------|----------|------|
|-------------|----------|----------|------|
|-0-----------|----------|----------|------|
|-0-----------|----------|----------|------|
N.C.
Gtr II
e e e s e e e s s s e e e s e e e s s s
||------------------6---|-----------------6---|
||o-6-7-6-7-6-7-6-7---9-|-6-7-6-7-6-7-6-7---9-|
||----------------------|---------------------|
||----------------------|---------------------|
||o---------------------|---------------------|
||----------------------|---------------------|
e e e s e e e s s s e e e s e e e s s s
|-----------------6---|-----------------6----||
|-6-7-6-7-6-7-6-7---9-|-6-7-6-7-6-7-6-7---9-o||
|---------------------|----------------------||
|---------------------|----------------------||
|---------------------|---------------------o||
|---------------------|----------------------||
Outro
D5
Gtr II
e e e s e e e s s s e e e s e e e s s s
||-------------------6---|------------------6---|
||o-6-7-6--7-6-7-6-7---9-|-6-7-6--7-6-7-6-7---9-|
||-----------------------|----------------------|
||-----------------------|----------------------|
||o----------------------|----------------------|
||-----------------------|----------------------|
|
| Gtr I
| PM| PM|
| E E H. E E H.
||-----------------------|----------------------|
||o----------------------|----------------------|
||-----------------------|----------------------|
||-----------------------|----------------------|
||o-0-0------------------|-0-0------------------|
||--0-0------------------|-0-0------------------|
e e e s e e e s s s e e e s e e e E.
|------------------6---|----------------------||
|-6-7-6--7-6-7-6-7---9-|-6-7-6--7-6-7-6------o||
|----------------------|----------------------||
|----------------------|----------------------||
|----------------------|---------------------o||
|----------------------|----------------------||
|
| PM| PM|
| E E H. E E H.
|----------------------|----------------------||
|----------------------|---------------------o||
|----------------------|----------------------||
|----------------------|----------------------||
|-0-0------------------|-0-0-----------------o||
|-0-0------------------|-0-0------------------||
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
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