Nothing Good Is Real

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  • Intro: 4 bars of drums... and:
     
    G(6) Cmaj7 G(6) Cmaj7
  • e|--------------0--0-0--0--0--0-0--0--0--0--0--0-------|
    B|--0--0--0-0------0-0--0--0--0-0--0--0--0--0-0--------|
    G|------------------------------------0--0--0-0--------|
  • D|-------------------2--2-------------2--2--2-2--------|
    A|----(2)-2-2---3--3-3--3-----2-2--2--3--3--3-3--------|
    E|--3--3--3-3--------------3--3-3--3-------------------|
  •  
    Note: the intro not exact... just understand the point,
    which is use the G(6) and Cmaj7 chords listed below
  • strumming in a gentle rythym. for the right hand,
    i use my thumb to sort of strum the bass notes and
    i use my index and middle fingers to grab the notes
  • on the b and e strings. sorry if that's confusing
    but you'll figure it out, i'm sure. this same method
    is used in the verse also. most important: be relaxed!
  •  
    that said, this guitar pops up a couple of bars after
    the above guitar... heavily distorted, but volume low:
  •  
    (G6) (Cmaj7)
    e|-------------------------------------------------|
  • B|--7-(7)--7----7-------5----5---5-----------------|
    G|--9^11-(11)-(11)------7^9-(9)-(9)----------------| repeat
    D|-------------------------------------------------|
  • A|-------------------------------------------------|
    E|-------------------------------------------------|
     
  • Note: that's right... hendrix style oblique bends! hopefully
    you understand these, but if you don't no big deal. i'll
    try to explain. for the G6 bend, finger the 7th fret
  • of the b string with your left index finger.
    next, finger the 9th fret g string with your left
    ring finger. strum both strings simultaneously, and
  • bend the g string up with your ring finger (i recommend
    reinforcing the bend with your middle finger) bend
    the g string up one whole step, until it rings the same
  • pitch as the b string... that's an oblique bend.
     
    Verse: pretty straightfoward, here's the shapes:
  •  
    G(6) Cmaj7
    0 0
  • 0 0
    0 0
    0 2
  • 2 3
    3 x
     
  • they alternate every bar.
    at times in the verse, they'll throw in:
    high e: 0 2 3 2 0
  •  
    chorus: one guitar strums the chords, one plays the octaves.
    w/distortion... don't use verse shapes, use these:
  •  
    G D/F# Em7 G6 Cmaj7
    3 3 3 0 0
  • 3 3 3 0 0
    0 2 0 0 4
    0 0 2 0 5
  • x x 2 2 3
    3 2 0 3 x
     
  • octaves part:
    G D/F# Em7 G6 Cmaj7 (and a bar of just Cmaj7)
    e|-------------------------------------------------|
  • B|-------------------------------------------------|
    G|-12----11-------9-----7-----4/4---4--------------| repeat
    D|--x-----x-------x-----x-----x/x---x--------------|
  • A|-10-----9-------7-----5-----2/3---3--------------|
    E|-------------------------------------------------|
  • también juega ..
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