Love Aint No Stranger

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  • A-Intro/First Verse
     
    The song begins with (Jon Lord's) wonderful keyboards. The keyboard parts
  • mainly outline these chord changes, that could be strummed if you don't play
    with a keyboard player.
     
  • Who knows where the cold wind blows? I ask my friends, but nobody knows...
    | | | | | | | |
    D/F# G A Bm D/F# G A Bm
  •  
    Who am I to believe in love? Oh, oh, oh. Love ain't no stranger...
    | | | | | |
  • D/F# G A Bm Bm A
     
    B-Second Verse
  •  
    The acoustic guitar enters, arpeggiating the same chords(almost). It is pos-
    soble that the slide in the Bsus2 chord should be a hammer-on. It is also
  • possible that I just have tin ears, but I do think I hear SOME sort of grace
    note there. Anyway, it is just a detail, so if the fingering is tricky to you,
    forget it.NOTE: What I call "dive bomb" slide has nothing to do with the thing
  • you do with the whammy bar. I just don't know what else you call those long,
    fast slides down the low E-string.
     
  • [-Rhythm Fig.1--------------] Strum chords and let ring.
    |-----------|---------------| Played 5 times, |----------|-0------------|
    |---------3-|-------------2-| and then... |-0--------|-2------------|
  • |---2----0--|---2------s-4--| |-4--------|-2------------|
    |--0----0---|--2----(2)/4---| |-4--------|-2------------|
    |-----------|-0---2---------| |-2--------|-0------------|
  • |-2---3-----|---------------| |----------|---------xxxxx|
     
    Verse 2:(with rhy.fig1) xxx=Electric guitars enters,
  • I looked around, and what did I see? with a "dive bomb slide"
    Broken hearted people staring at me...
    All searching 'cause they still believe.. Oh, oh, oh...Love ain't no
  • stranger!!!
    C-Main Riff/Third Verse
     
  • ()=These notes are there, but I can't make out if they are played by the
    hammond or another guitar. They don't have to be played by this guitar, anyway.
    [-Rhythm Fig2----------------------------------------------------------------]
  • |------------|------------|-------------|-----------|---------|--------------|
    |-(3-2-3)----|-(3-2-3)----|-(3-2-3)-----|-----------|-------With- drum-fills-|
    |--4-2-4-----|--4-2-4-----|--4-2-4----2-|-----------|---------|-2------------|
  • |--4-2-4-----|--4-2-4-----|--4-2-4----2-|----2------|-(2)-----|-/---(2)------|
    |--2-0-2-----|--2-0-2-----|--2-0-2----0-|----2------|-(2)-----|-4---(2)----s-|
    |------------|------------|-------------|----0------|-(0)-----|-----(0)--xxxx|
  • Let E5-chord ring
    Make sure to nail that staccato rhythm, and to shake that last B5-chord in
    every bar a little. (Maybe it would make more sense to place the 2/4 bar
  • after the A5-chord, but that's one for the music theory guys to think about.)
     
    [-Rhythm Fig. 3---------------------------------------------------------------]
  • |---------------|------------------|-----------------------|------------------|
    |---------------|------------------|-------------------3---|------------------|
    |-------4-2-4---|----------4-2-4---|-------------------2---|----------4-2-4---|
  • |-------4-2-4---|----------4-2-4---|--------2----------0---|----------4-2-4---|
    |-------2-0-2---|----------2-0-2---|--------2--------------|----------2-0-2---|
    |---------------|------------------|--------0--------------|------------------|
  • Verse 3:
    I was alone,And I needed love. So much I'd sacrifice for all I was dreaming of.
     
  • (With Rhy.fig3)
     
    I heard no warning, but a heart can tell... I feel the emptiness of love I know
  • so well...
     
    D-Chorus.
  •  
    Those slighly muted G5-Chords are the key to the fat, chunky sound. I don't
    really remember if those "extra" chunks on the open and fifth fret of the A-
  • string really are on the record, but experiment with 16th-note chunks there.
    It can sound very cool...
     
  • [Rhy.fig.4---------------------------------------------play-two-times------]
    |------------------|-----------------|-----------------|-------------------|
    |-*=Slight-Palm-Muting---------------|-----------------|-------------------|
  • |-------------7--2-|-(2)-------------|-----------7---7-|---2---------------|
    |-*-5-*-*-*-5-7-p2-|-(2)-------------|---*-*-*-*-7-pp7-|-pp2---------------|
    |-5-5-5-5-5-5-5-00-|-(0)-------------|-p-5-5-5-5-5-555-|-000---------------|
  • |-3-3-3-3-3-3------|-----------------|-3-3-3-3-3-------|-------------------|
    Let Chord Ring.
    Chorus: Love ain't no stranger... I ain't no stranger...
  • Love ain't no stranger... I ain't no stranger to
     
    with Ry.Fig2.
  • [----------4-----------]
    love... no ,no ,no...
     
  • E-Fourth Verse
     
    With Rhy.fig.3 ( 2 times)
  •  
    Can't hold the passion, of a soul in need...
    I look for mercy when my heart begins to bleed.
  • I've known good loving, I'm a friend of pain.
    But when I read between the lines it's all the same...
     
  • F-Second Chorus
     
    with Rhy.Fig4
  • [--------8----------]
    Love ain't no stranger.
    I ain't no stranger.
  • Love ain't no stranger.
    I ain't no stranger to love...
     
  • E-Guitar Solo
     
    The rhythm part behind the solo is a semi-distorted electric, playing a pro-
  • gression almost like the one in Rhythm Figure 1. The chords are the same, but
    I think they are arpeggiated a little differently. Play that, and nobody will
    notice. The solo is a slow beautiful melody thing, that should not be hard to
  • figure out. I haven't transcribed it, since I work out my own leads for the co-
    ver tunes I learn.(Try it, it's great fun).The last three bars of the rhythm
    part goes something like this.
  •  
    |-----------|----|-----|
    |--3--3-----|----|-----| Then the song comes back to rhythm figure 1.
  • |--2--0---2-|-2--|-(2)-|
    |--0--0---2-|-2--|-(2)-| [--------8---------]
    |---------0-|-0--|-(0)-|
  • |--2--3-----|----|-----| With Verse 1. "Lord have mercy...
    Love ain't no stranger!!!"
    F-Agressive part.(Dunno what else to call it)
  •  
    Play this part aggressively(Why do I keep giving these instructions? You know
    how the record sounds. Oh, well...).
  •  
    with Ry.fig2, 1,5 times, then... |------------|-----|------------|
    [-----6------] |------------|-----|------------|
  • |-4-2-4----2-|-(2)-|--9-7-9-----|
    |-4-2-4----2-|-(2)-|--9-7-9-----|
    |-2-0-2----0-|-(0)-|--7-5-7-----|
  • |------------|-----|--------xxxx|
     
    G-Fifth Verse/Last Chorus.
  • w.Rhy.fig3 (two times)
    [-------8--------]
     
  • I was alone, and I needed love.
    So much I'd sacrifice for all I was dreaming of.
    Can't hold the passion of a soul in need.
  • I look for mercy when my heart begin to bleed.
     
    w.rhy.fig4 (two times)
  • [------8---------]
     
    H-Outro
  •  
    Turn down the volume knob on your guitar a bit for this tone. This is mainly
    Rhythm Figure 1, again with some different arpeggiations.
  •  
    w.Rhy.Fig1
    [-----6-----] |-----------|----------|-----|
  • |-3--3------|----------|-----|
    |-2--0----2-|-2----4-4-|-(4)-|
    |-0--0----2-|-2----4-4-|-(4)-|
  • |---------0-|-0----2-2-|-(2)-|
    |-2--3------|----------|-----|
     
  • "I ain't no stranger..."
     
    There we are. I hope I haven't forgotten anything, but I'm too sick of this
  • machine to double check anything. If something is missing, or if something is
    unclear, mail me. If the guy who requested this song still needed it and found
    it useful, I would appreciate it if he mailed me and let me know. That goes for
  • everyone else who finds use for it as well. It is always nice to get some feed-
    back.
     
  • "Well I got this guitar,
    and I learned how to make it talk..."
    -Bruce Springsteen, "Thunder Road"-
  • también juega ..
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