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The beginning is played with an E and a form of F# with the top two(b and high e) strings open. Hammer on to the high e right before the changes. I'll refer to the weird form of F# by F#
MI FA# MI
You didn't have to give your necklace, to me before you left
FA# MI
now i lay awake and think, how very smart you were
FA#
Thought about you every day..
RE MI RE
I hear the rain coming in from miles away
MI RE
air is as clean as your skin is to my face
MI
thought about you every day...
SOL LA
100 ways
SOL LA
i thought about you and me 100 ways
SOL LA
100 ways
MI FA# MI FA#
MI FA# MI
Now i lay awake and dream,you're right above my face
FA# MI
look in to my eyes the way you do, don't look away
FA#
thought about you every day
RE MI RE
Birds build their homes, right above my head
MI RE
They make the same, kind of sounds you do
MI
When we're laying in my bed...
SOL LA
100 ways
SOL LA
i thought about you and me 100 ways
SOL LA
100 ways
MI FA# MI FA#
Here the break goes to a different tempo with more strange chord formations.
Again the E is normal, but on the B and A in this section play a major bar chord rooted on the low e, with the top two strings open.
SI LA MI
Na-----na-na-na-na-na-na-naaaa
LA SI
Na-na-na--na-na-naaa
Repeat this a couple of times with improv on the vocals then:
MI FA# MI FA#
(For this verse, strum chord once and let ring)
MI FA#
And if i had my way, when i woke up
MI FA#
in the morning, i would read and write
MI FA#
before i ever drew the shade,, i would kiss you
MI FA#
before you opened up your eyes
(Back to regular strumming)
RE MI RE
Birds build their homes, right above my head
MI RE
They make the same, kind of sounds you do
MI
When we're laying in my bed...
SOL LA
100 ways
SOL LA
i thought about you and me 100 ways
G A E(Let Ring)
100 ways
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